{"id":3745,"date":"2025-12-28T09:28:22","date_gmt":"2025-12-28T06:28:22","guid":{"rendered":"https:\/\/nottoday.media\/en\/?p=3745"},"modified":"2025-12-28T09:28:24","modified_gmt":"2025-12-28T06:28:24","slug":"to-me-the-sound-of-berlin-is-the-roar-of-trains-the-s-bahn-that-beeping-of-the-doors-the-noise-of-a-departing-train-interview-with-chemix","status":"publish","type":"post","link":"https:\/\/nottoday.media\/en\/emigration\/to-me-the-sound-of-berlin-is-the-roar-of-trains-the-s-bahn-that-beeping-of-the-doors-the-noise-of-a-departing-train-interview-with-chemix","title":{"rendered":"\u201cTo me, the sound of Berlin is the roar of trains \u2014 the S-Bahn, that beeping of the doors, the noise of a departing train.\u201d Interview with Chemix"},"content":{"rendered":"<p><strong>Chemix is an immigrant from Ukraine living in Berlin. Here, he earns a living as a street musician, favoring psychedelic sounds and improvisation over covers and playlists, and the noise of the S-Bahn over clubs and stages. <em>Nottoday<\/em> spoke with Chemix about his sound, Berlin, and street music\u2014and in the process, Chemix shared the music he listens to.<\/strong><\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/nottoday.media\/wp-content\/uploads\/2025\/11\/IMG_20241014_003532_419_11zon-1024x687.jpg\" alt=\"\" class=\"wp-image-4057\" \/><figcaption class=\"wp-element-caption\"><em>Photo &#8211; Chemix<\/em><\/figcaption><\/figure>\n<p style=\"font-size:25px\"><strong>On Sound and Music<\/strong><\/p>\n<p><strong>\u2014 Do you remember when you first realized that music could be psychedelic?<\/strong><\/p>\n<p>\u2014 Yes, I think initially, before I became a teenager, I didn&#8217;t really acknowledge <em>Pink Floyd<\/em> and so on. I thought they were just &#8220;mushy&#8221; and all that. But then my grandfather&#8217;s brother showed me <em>Pink Floyd<\/em>, and I was like: &#8220;Interesting atmospheric sound.&#8221;<\/p>\n<p>And then I listened to <em>The Doors<\/em>, Morrison\u2019s lyrics, translated all of it\u2014and I was like: &#8220;Yeah, this is deep, of course, these flows are something else.&#8221;<\/p>\n<p><strong>\u2014 Are you saying that the music you play is a continuation of 60s and 70s psychedelic rock, a reference to that time?<\/strong><\/p>\n<p>\u2014 One way or another, yes, the roots are there. But sound doesn&#8217;t stand still. You can look at it that way, but I think it\u2019s already completely different music.<\/p>\n<p class=\"has-text-align-center\"><em>At the very least, they played mostly on analog instruments, whereas now virtually all sound is digital. That\u2019s the difference: before, the sound was warm and tube-driven, and now it&#8217;s fragmented and digital.<\/em><\/p>\n<p><strong>\u2014 How would you describe your sound to someone who has never tried anything stronger than coffee?<\/strong><\/p>\n<p>\u2014 I think it\u2019s something between the drive of metal and techno and the feeling when you&#8217;re just buzzing from a good mood. At the same time, it has a certain poetic quality, an emphasis on what&#8217;s happening. It\u2019s as if you&#8217;re very, very aware of the current moment, that\u2019s all.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mantra For Hybrids by Oroboro\" width=\"500\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F879058300&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500\"><\/iframe>\n<\/div>\n<\/figure>\n<p><strong>\u2014 What is more important to you\u2014technique or the trance in music?<\/strong><\/p>\n<p>\u2014 Serious question. Probably technique, because without it, you can keep yourself in some kind of trance, but the cool thing about music is that it\u2019s a collective thing. So, yes, maybe trance is more important after all. At the same time, if you don&#8217;t have the technique, you won&#8217;t be able to show what&#8217;s in your soul either. But perhaps the soul is more important. If you just play music for the sake of technique without an idea\u2014like in metal, for example\u2014there are many groups like that. Everything is very technical, played great, produced great, but there is no trance component. Trance is more important.<\/p>\n<p><strong>\u2014 Do you use the noise of the city as part of your music? You play on the street?<\/strong><\/p>\n<p>\u2014 Yes, I\u2019d like to include it in my tracks\u2014this S-Bahn noise. I think it\u2019s just essential, a very important part of the Berlin sound. You listen to other DJs, and they also insert various Berlin sounds. When you play on the street and an ambulance passes by\u2014you can play something along with it so that people feel it too.<\/p>\n<blockquote class=\"wp-block-quote\">\n<p class=\"has-text-align-center\"><em><br \/><\/em><em>If something scary is happening, or the cops are driving by\u2014you can play something more punk.<\/em><\/p>\n<\/blockquote>\n<p>I think the noise component in music is very important. Noise has been used for 50 years now\u2014it&#8217;s a vital part.<\/p>\n<p><strong>\u2014 What is Berlin\u2019s characteristic noise?<\/strong><\/p>\n<p>\u2014 I think the noise of Berlin is the howl of the trains, the sound of the S-Bahn, that door beeping, the sound of a train pulling away. There\u2019s also a cool train here that plays &#8220;do-re-mi-fa-sol-la-si&#8221; when it starts. So yes, I think it\u2019s the sound of the trains.<\/p>\n<p><strong>\u2014 Often in psychedelic rock, loopers and delay are used\u2014repeating elements. Why those specifically? How do they affect a person\u2019s perception of music?<\/strong><\/p>\n<p>\u2014 Going back to the question of what&#8217;s more important in music\u2014trance or technique. By using all these delays, you get a pattern that resembles itself but changes slightly. All techno is built on delay. Filters change, different frequencies sound, while one note repeats. One sound can be processed in very different ways.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"video 2025 11 09 18 30 12\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Z81DCz8ia8I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><em>Video &#8211; Chemix<\/em><\/figcaption><\/figure>\n<p style=\"font-size:25px\"><strong>On the City<\/strong><\/p>\n<p><strong>\u2014 Why specifically the street, rather than stages or a club?<\/strong><\/p>\n<p>\u2014 Is that a trick question? I would like to move into clubs, but I feel like the street really teaches you how to interact with people. If your music hooks people, they actually stop. Those who love this kind of sound, the depth in music\u2014those people stop and listen.<\/p>\n<p class=\"has-text-align-center\"><em><br \/><\/em><em>If you&#8217;ve learned to hook such people on the street, then on stage your sound will be even more interesting, because you know how to not just interact with a crowd, but how to work with the collective unconscious.<\/em><\/p>\n<p><strong>\u2014 What do you feel when someone walks past and doesn&#8217;t stop?<\/strong><\/p>\n<p>\u2014 I don&#8217;t know, I don&#8217;t really look at passersby, very rarely. I&#8217;m usually in the zone of playing. When I do look around, I look more at the people who are standing and watching, and I try to maintain some non-verbal connection with them. There&#8217;s no point in looking at those who aren&#8217;t interested.<\/p>\n<p><strong>\u2014 How do locals or tourists react to your music? Who shows more responsiveness?<\/strong><\/p>\n<p>\u2014 At first, when I arrived in Berlin, I thought the target audience was tourists. Before that, I had traveled around Europe playing street music and thought they were the best audience. But after arriving in Berlin, at some point, I got bored with what I was playing. I used to play a lot of covers, and eventually, I got tired of it.<\/p>\n<p class=\"has-text-align-center\"><em>I realized that tourists only respond to what they already know\u2014pop culture. If you play something poppy, it hooks them, but not the kind of people it&#8217;s interesting to talk to.<\/em><\/p>\n<p class=\"has-text-align-left\"><em><br \/><\/em>Over time, I realized that the coolest audience in Berlin is the ravers. If you hook the ravers, it&#8217;s really cool: you feel the response, and more energy appears in the music.<\/p>\n<p><strong>\u2014 Which places in Berlin do you consider truly alive, where you feel that the music breathes with the city, where it turns into something unified?<\/strong><\/p>\n<p>\u2014 I think <em>Warschauer Stra\u00dfe<\/em> and <em>Friedrichstra\u00dfe<\/em>, but those are quite &#8220;poppy&#8221; places. Lately, I like playing near clubs\u2014it&#8217;s interesting. You feel what fits people coming out of clubs: it&#8217;s like an afterparty\u2014a guy standing on the street playing music. It\u2019s an interesting moment.<br \/>The most alive, touching moments during street playing happen at night, in places you would never have thought of.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Shaman Tricks (Album Preview) by Derrick &amp; Tonika \/ Shimbala Records\" width=\"500\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1469047843&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500\"><\/iframe>\n<\/div>\n<\/figure>\n<p><strong>\u2014 Berlin is currently called a &#8220;mechanical paradise.&#8221; Do you feel freedom in it or, on the contrary, a cold system?<\/strong><\/p>\n<p>\u2014 This cold system is felt, of course. But Berlin is not Germany. It is not that cold machine that Germany is, in principle. Berlin is something else. You feel it here too, but the city is so free, man! There&#8217;s so much room for creativity. If you have the initiative to realize something\u2014this is probably the best place to do it.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/nottoday.media\/wp-content\/uploads\/2025\/11\/R1-00471-0021_11zon-1024x687.jpg\" alt=\"\" class=\"wp-image-4058\" \/><figcaption class=\"wp-element-caption\"><em>Photo &#8211; Chemix<\/em><\/figcaption><\/figure>\n<p style=\"font-size:25px\"><strong>On Meanings and Psychedelia<\/strong><\/p>\n<p><strong>\u2014 What is psychedelia to you\u2014sound, consciousness, a form of protest, or just aesthetics?<\/strong><\/p>\n<p>\u2014 Probably an expanded state of consciousness. Of course, aesthetics too, but overall\u2014expanded consciousness emerging from the moment.<\/p>\n<p class=\"has-text-align-center\"><em>A kind of synesthesia: when all the senses call out to each other and a unified visual-audio-scented picture is created.<\/em><\/p>\n<p>I think that is what psychedelia is.<\/p>\n<p><strong>\u2014 Do your states, dreams, or memories influence the music you create?<\/strong><\/p>\n<p>\u2014 Yes, definitely. Like any artist: you feel something\u2014you\u2019re like a sponge that absorbs. Or like camera film: you absorb feelings, then transform them through yourself. That is the task of the artist\u2014to turn received feelings into a product.<\/p>\n<p><strong>\u2014 Do you have a personal experience that changed your perception of sound or time?<\/strong><\/p>\n<p>\u2014 Yes, the moment I stopped playing other people&#8217;s music and started giving myself over completely. Sometimes I caught strange states when you play all night, then return very tired but in a state of bliss. Your eyes are already closing, and any sound you hear echoes. This echo responds with a psychedelic guitar\u2014multi-repeating. Any sound is multiplied by the guitar. A very interesting state.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Whiteloop &amp; Dezzert - Freakout by Sectar Records\" width=\"500\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F2154643470&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500\"><\/iframe>\n<\/div>\n<\/figure>\n<p><strong>\u2014 What do you think about the connection between street music and altered states of consciousness?<\/strong><\/p>\n<p>\u2014 If you&#8217;re too messed up, you won&#8217;t be able to play. But one way or another, you need some kind of fuel. You can play sober, but you won&#8217;t last long\u2014it&#8217;ll just get boring.<\/p>\n<p class=\"has-text-align-center\"><em>A beer, a joint\u2014a vital component, I believe.<\/em><\/p>\n<p><strong>\u2014 If music could speak about itself, what would it say to the world right now?<\/strong><\/p>\n<p>\u2014 That we need to unite and not get hung up on all kinds of nonsense. I suffer from this myself, but I think humanity just needs to unite, think less about bullshit, enjoy life, and do what makes you happy.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chemix is an immigrant from Ukraine living in Berlin. Here, he earns a living as a street musician, favoring psychedelic sounds and improvisation over covers and playlists, and the noise of the S-Bahn over clubs and stages. Nottoday spoke with Chemix about his sound, Berlin, and street music\u2014and in the process, Chemix shared the music [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3746,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[17],"class_list":["post-3745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-emigration","tag-mastactva-jemigracyi"],"acf":[],"_links":{"self":[{"href":"https:\/\/nottoday.media\/en\/wp-json\/wp\/v2\/posts\/3745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nottoday.media\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nottoday.media\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nottoday.media\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nottoday.media\/en\/wp-json\/wp\/v2\/comments?post=3745"}],"version-history":[{"count":1,"href":"https:\/\/nottoday.media\/en\/wp-json\/wp\/v2\/posts\/3745\/revisions"}],"predecessor-version":[{"id":3747,"href":"https:\/\/nottoday.media\/en\/wp-json\/wp\/v2\/posts\/3745\/revisions\/3747"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nottoday.media\/en\/wp-json\/wp\/v2\/media\/3746"}],"wp:attachment":[{"href":"https:\/\/nottoday.media\/en\/wp-json\/wp\/v2\/media?parent=3745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nottoday.media\/en\/wp-json\/wp\/v2\/categories?post=3745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nottoday.media\/en\/wp-json\/wp\/v2\/tags?post=3745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}